The Dada Baroness
August 7th, 2015
Via The MIT Press: "Elsa von Freytag-Loringhoven (1874-1927) is considered by many to be the first American dadaist as well as the mother of dada. An innovator in poetic form and an early creator of junk sculpture, the Baroness was best known for her sexually charged, often controversial performances. Some thought her merely crazed, others thought her a genius. The editor Margaret Anderson called her perhaps the only figure of our generation who deserves the epithet extraordinary. Yet despite her great notoriety and influence, until recently her story and work have been little known outside the circle of modernist scholars."
Via Wikipedia: "The Baroness was one of the characters, one of the terrors of the district, wrote her first biographer Djuna Barnes, whose book, however, remained unfinished. In Irrational Modernism: A Neurasthenic History of New York Dada, Amelia Jones provides a revisionist history of New York Dada, expressed through the life and works of The Baroness.
The recent biography, Baroness Elsa: Gender, Dada and Everyday Modernity, by Irene Gammel, makes a case for the Baroness’s artistic brilliance and avant-garde spirit. The book explores the Baroness’s personal and artistic relationships with Djuna Barnes, Berenice Abbott, and Jane Heap, as well as with Duchamp, Man Ray, and William Carlos Williams. It shows the Baroness breaking every erotic boundary, reveling in anarchic performance, but the biography also presents her as Elsa’s friend Emily Coleman saw her, not as a saint or a madwoman, but as a woman of genius, alone in the world, frantic.
In 2013, the artists Lily Benson and Cassandra Guan released The Filmballad of Mamadada, an experimental biopic on the Baroness. The story of The Baroness' life was told through contributions from over fifty artists and filmmakers."
Thanks to Swantje Lichtenstein!