End of 2018
The ten best experiences of my year
December 31st, 2018
Books While preparing my Transformats seminar for our Klang and Realität master program I came across the essay Must we burn Sade? by Simone de Beauvoir, and started to rediscover her. In this context Sarah Bakewell's At the Existentialist Cafe was another great discovery this year.
I believe that Simone de Beauvoir is the most important philosopher of the 20th century, and The second sex the most important book of that century – because something started to change.
Children I have not had the wish to reproduce, and I enjoy the company of young humans a lot. End of last year a one-year-old moved into my building, and in 2018 we spent quite some time together. She blows my mind, and to see how language and speech develop is an amazing experience – it teaches me humility.
Big shout-out to her parents for trusting me!
Concert This summer I went to see one of my all-time favorite pieces, I am sitting in a room, performed by Alvin Lucier himself, and afterwards my colleague Phillip Schulze introduced me to Lucier. A few days later a friend told me that Lucier said to them, it is his wish is to die while performing exactly this piece. Sawubona!
Client As a brand builder and creative catalyst it was an enormous inspiration to work with Reiner Michalke on his new music festival for Monheim am Rhein. Not often did I get the chance to work with a truly confident, intelligent, and sensitive client, who - because of this confidence - does really, really, really listen. This process might have easily been my favorite project in years.
Fandom Two of my favorite artists, Sarah Szczesny and Lena Willikens, joined forces for their Phantom Kino Ballett project. Saw them perform at Schauspielhaus Köln and was extremely impressed by the multitude of references, the energy of their choreography, and the composition altogether.
Here is a quote from their 2018 tape release, which I like a lot, "Phantom Kino Ballett is sound fragment and black theatre, Holly Woodlawn's nervous breakdowns, Taro's arpeggiated anime, Mario Montez' mobilee, Maria Callas' chiffre and Anna Opperman's eyelashes."
Listening session It was a pleasure and honor to work with two geniuses, Prof. Dr. Swantje Lichtenstein and Brigitta Muntendorf, on our listening session called Making the 3rd Ear (a quote by Maryanne Amacher), which we performed at NRW Forum Düsseldorf in December. We played music by ten of the best female composers of the last 50 or so years. Here is the PDF with all tracks we played.
Manifest The last 25 years I sat in meetings in which, most of the times, I was the only, or one of the few women at the table. Sara Ahmed's idea and feminist manifest of the Rolling Eyes is a life changer and massively helpful. The idea is simple, when you see people rolling their eyes at you for raising a feminist point, you now know that this gesture is not personal, instead it confirms that you touched an important structural issue.
Memory lane Cindy Keefer, director at Center for Visual Music, invited me to give a talk at their CVM Symposium 2018 Exploring & Preserving Visual Music in Sonoma County on August 14th about my Visual Music concentration at the Robert Schumann conservatory.
During the 90s I lived in San Fransico for year, and I was excited to see what has changed. Well, it became one of the most expensive cities of the world – a rather sad development, actually.
At least the symposium was a success, and I had inspiring conversations with brilliant people like, Ilene Susan Fort (LACMA Curator Emeritus, CVM board member), Jack Ox (artist, Intermedia Projects, Albuquerque, N.M.), and Margaret Schedel (composer, Stony Brook University, NY). Thank you, Cindy!
Translation One of my oldest friends, Sandra Münchenbach, invited me to co-translate twelve of the beautiful Daily Reminders for Living a New Paradigm by Anne Wilson Schaef. I am very grateful for this experience, and all I have learned so far. Thank you!
Tribute Ralph Christoph asked me to give a speech at the c/o pop opening event in honour of Christa Päffgen aka Nico, who was born in my hometown Cologne 80 years ago. I convinced him to do a performance instead, and asked fabulous artist and friend Swantje Lichtenstein to write a piece for 11 voices and 2 narrators, which she called on c’s terms. heroine and sister. To top it, I invited ten powerful women to perform the piece with with me at the MAKK. We had a blast.
So, here we are... And what is next?