Via Medium this is a quote from bell hooks' book Teaching to Transgress: "If we really want to create a cultural climate where biases can be challenged and changed, all border crossings must be seen as valid and legitimate. This does not mean that they are not subjected to critique or critical interrogation, or that there will not be many occasions when the crossings of the powerful into the terrains of the powerless will not perpetuate existing structures. This risk is ultimately less threatening than a continued attachment to and support of existing systems of domination, particularly as they affect teaching, how we teach, and what we teach."
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Anne Collier at Galerie Neu. Images courtesy of the artist; Anton Kern Gallery, New York; Galerie Neu, Berlin; and The Modern Institute/ Toby Webster Ltd., Glasgow. Photos by Stefan Korte.
Via The New York Times: "A decade before Walt Disney Productions came into existence, making its name synonymous with animated films, there was another pioneer of the art form — Lotte Reiniger.
Reiniger’s filmmaking career spanned 60 years, during which she created more than 70 silhouette animation films, including versions of 'Cinderella,' *Puss in Boots' and 'Hansel and Gretel.' She’s perhaps best known for her 1926 silent film 'The Adventures of Prince Achmed,' a fantastical adaptation of 'The Arabian Nights' that was among the first full-length animated features ever made. [...]
Reiniger’s editing was meticulous. Starting with more than 250,000 frames, she and her crew used just over 100,000 in the film, which ran for an hour and 21 minutes, each second requiring 24 frames. It took three years to complete, and premiered in the Volksbühne, or People’s Theater, in Berlin, when Reiniger was 27. [...]
Beginning with 'Prince Achmed,' she also created an early version of the multiplane camera, which gave two-dimensional animation a hitherto unexplored depth, movement and complexity. She called her device a tricktisch, or trick table.
Reiniger described her process this way: 'Figures and backgrounds are laid out on a glass table. A strong light from underneath makes the wire hinges disappear and throws up the black figures in relief. The camera hangs above this table, looking down at the picture arranged below.'
After taking a photograph, Reiniger and her team moved the figures into their next position and photographed the scene again. 'The important thing,' she wrote, 'is to know how much to move the figures so that a lifelike effect may be obtained.' [...]
She died on June 19, 1981, in Dettenhausen, Germany. She was 82. Though The New York Times did not take note of her death at the time, the Times film critic A.O. Scott recalled her in a 2018 article about the unsung women who had advanced the art of filmmaking.
Praising Reiniger’s 'blend of whimsy and spookiness,' Mr. Scott wrote that her 'dreamy images that seem to tap right into the collective unconscious suggest both an antidote to Disney and a precursor to Tim Burton.' "
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Banksy on Instagram.
Beep. Ding. Vroom.
Sounds that will define the highways of the future September 28th, 2019
Via The New York Times: "Two years ago, Nissan hired the studio Man Made Music for what seemed like a straightforward task: Design a sound that its quiet electric vehicles could play to announce themselves on the road.
The automaker wasn’t just splurging on a flashy feature. It was preparing for a federal regulation set to take effect next year that would require all hybrid and electric vehicles, which are quieter than their gas-guzzling ancestors, to emit noise at certain speeds for pedestrian safety. […]
The team at Man Made Music, which is used to developing audio for TV, movies and radio, spent nearly half of 2017 working on the sound, a layering of sampled wind and string instruments, and analog and digital synth sounds [listen to “Canto,” the future sound of Nissan’s electrified vehicles]."
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Monheim Triennale 2020 poster design by Vasilis Marmatakis.
Monheim Triennial – The Adventure of Music in the 21st Century
Defining the identity for a new music festival September 10th, 2019
The successful collaboration on defining a new identity for Cologne's infamous Stadtgarten, a European Centre for Jazz and Contemporary Music, led it's musical director, Reiner Michalke, to contract me again for his most prominent recent project, the Monheim Triennal.
Via the Monheim Triennal's website: "The Monheim Triennial is an international music festival aiming to present ground- breaking artistic positions in current improvised, composed and popular music. The first edition of the Monheim Triennial will take place in 2020 and will be continued every three years on the last weekend of June. The Monheim Triennale will focus on telling musical stories at the highest artistic level. Artistic Director is Reiner Michalke."
The workshops resulted in a consice design briefing, which Reiner Michalke took to Athens, Greece, and invited graphic designer Vasilis Marmatakis to work on a series of posters for the festival. Today, Cologne based art director Christian Schäfer is working on the corporate design for 2020, and the Monheim Triennal's website is one of the first results of this cooperation.
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From Greta Thunbergs Twitter account on 3:56 PM · Jun 15, 2019: "Yes we can. #FridaysForFuture #schoolstrike4climate #ClimateStrike"
What would you like to do if money were no object?
"Let’s suppose, I do this often in vocational guidance of students, they come to me and say, well, 'we’re getting out of college and we have the faintest idea what we want to do'. So I always ask the question, 'what would you like to do if money were no object? How would you really enjoy spending your life?'
Well, it’s so amazing as a result of our kind of educational system, crowds of students say well, we’d like to be painters, we’d like to be poets, we’d like to be writers, but as everybody knows you can’t earn any money that way. Or another person says well, I’d like to live an out-of-doors life and ride horses. I said you want to teach in a riding school? Let’s go through with it. What do you want to do? When we finally got down to something, which the individual says he really wants to do, I will say to him, you do that and forget the money, because, if you say that getting the money is the most important thing, you will spend your life completely wasting your time. You’ll be doing things you don’t like doing in order to go on living, that is to go on doing things you don’t like doing, which is stupid. Better to have a short life that is full of what you like doing than a long life spent in a miserable way. And after all, if you do really like what you’re doing, it doesn’t matter what it is, you can eventually turn it – you could eventually become a master of it. It’s the only way to become a master of something, to be really with it. And then you’ll be able to get a good fee for whatever it is. So don’t worry too much. That’s everybody is – somebody is interested in everything, anything you can be interested in, you will find others will. But it’s absolutely stupid to spend your time doing things you don’t like, in order to go on spending things you don’t like, doing things you don’t like and to teach our children to follow in the same track. See what we are doing, is we’re bringing up children and educating to live the same sort of lifes we are living. In order that they may justify themselves and find satisfaction in life by bringing up their children to bring up their children to do the same thing, so it’s all retch and no vomit. It never gets there. And so, therefore, it’s so important to consider this question: What do I desire?"
Via Nature: "When faced with a personal problem people typically give better advice to others than to themselves. This has been termed ‘Solomon’s Paradox’, named after the biblical King Solomon who was wise for others, but not so when it came to making decisions that would have an impact on his own standing.
Suppose that instead of imagining a problem from the perspective of another you were actually able to have a conversation with yourself about it, but from the embodied perspective of another.
A previous study showed how it is possible to enact internal dialogue in virtual reality (VR) through participants alternately occupying two different virtual bodies – one representing themselves and the other Sigmund Freud. They could maintain a self-conversation by explaining their problem to the virtual Freud and then from the embodied perspective of Freud see and hear the explanation by their virtual doppelganger, and then give some advice. Alternating between the two bodies they could maintain a self-dialogue, as if between two different people.
Here we show that the process of alternating between their own and the Freud body is important for successful psychological outcomes. An experiment was carried out with 58 people, 29 in the body swapping Self-Conversation condition and 29 in a condition where they only spoke to a Scripted Freud character. The results showed that the Self-Conversation method results in a greater perception of change and help compared to the Scripted. We compare this method with the distancing paradigm where participants imagine resolving a problem from a first or third person perspective.
We consider the method as a possible strategy for self-counselling."
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Illustration by Laura Callaghan, a Irish illustrator based in London. On her Instagramm she subtiles this image, "Maidin Mhaith 3. A piping hot cup of HELP."
"BE IMPECCABLE WITH YOUR WORD Speak with integrity. Say only what you mean. Avoid using the word to speak against yourself or to gossip about others. Use the power of your word in the direction of truth and love.
DON’T TAKE ANYTHING PERSONALLY Nothing others do is because of you. What others say and do is a projection of their own reality, their own dream. When you are immune to the opinions and actions of others, you won’t be the victim of needless suffering.
DON’T MAKE ASSUMPTIONS Find the courage to ask questions and to express what you really want. Communicate with others as clearly as you can to avoid misunderstandings, sadness, and drama. With just this one agreement, you can completely transform your life.
ALWAYS DO YOUR BEST Your best is going to change from moment to moment; it will be different when you are healthy as opposed to sick. Under any circumstance, simply do your best, and you will avoid self-judgment, self-abuse, and regret.
The Four Agreements sound simple, even simplistic. But try keeping just one for an entire day!"
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Big Science is the 1982 debut album by avant-garde artist Laurie Anderson.
Na na na na na, na na na (bop bop-bop-bop-bop, bop)
July 21st, 2019 The Hippies Were Right: It's All about Vibrations, Man!
Via Scientific American: "The mind-body problem enjoyed a major rebranding over the last two decades and is generally known now as the hard problem of consciousness […] Fast forward to the present era and we can ask ourselves now: Did the hippies actually solve this problem? My colleague Jonathan Schooler of the University of California, Santa Barbara, and I think they effectively did, with the radical intuition that it’s all about vibrations … man. Over the past decade, we have developed a 'resonance theory of consciousness' that suggests that resonance—another word for synchronized vibrations—is at the heart of not only human consciousness but of physical reality more generally. […]
Stephen Strogatz provides various examples from physics, biology, chemistry and neuroscience to illustrate what he calls 'sync' (synchrony) […] Fireflies of certain species start flashing their little fires in sync in large gatherings of fireflies, in ways that can be difficult to explain under traditional approaches. […] The moon’s rotation is exactly synced with its orbit around the Earth such that we always see the same face. […]
The panpsychist argues that consciousness (subjectivity) did not emerge; rather, it’s always associated with matter, and vice versa (they are two sides of the same coin), but mind as associated with most of the matter in our universe is generally very simple. An electron or an atom, for example, enjoy just a tiny amount of consciousness. But as matter 'complexifies,' so mind complexifies, and vice versa."
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Talk @ Goethe-Institut
A Perfect Match? On The Alliance between Sound and Visuals July 9th, 2019
Jörg Süßenbach, head of the music devision at Goethe-Institute Germany, recommended to invite me to give a talk on the relationship between sound and visuals on August 29th for an international congregation of Goethe-Institute members in Cologne.
The delegation will be in Cologne to attend the SoundTrack Cologne which is focused on music for images.
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Framework is a collection of open, hand-drawn graphic scores and recordings by Danish musician/composer Mads Emil Nielsen.
Catalyst and mentor
Working with Mads Emil Nielsen June 28th, 2019
Mads Emil Nielsen (b. 1989) is a musician/composer based in Copenhagen, DK. He works with basic sound sources, often combined with short percussive and orchestral samples, real sounds and an amplification of machine produced errors. Raised in a family of architects and artists, later discovering synthesizers and sequencers, he developed a graphic/visual approach to working with music and sound. In 2014 he founded arbitrary, the label and artistic platform on which he released his solo works and collaborations. Mads has performed at the Présences électronique festival in Paris (2018) and contributed to various theatre pieces/performances and the Notations 21 Project exhibitions. His music is featured on compilations by The Wire magazine and raster-media label. He completed his studies at the Rhythmic Music Conservatory in Copenhagen and has received grants/scholarships from the Danish Arts Foundation and Léonie Sonning Music Foundation.
In January 2019 Mads hired me as his catalyst and mentor. Our sessions are dedicated to his various graphic score explorations, including drawings and sound pieces, and also to his recent, complex Framework project – a series of scores, recordings and interpretations. Just now, we enter the next stage, and started to work on repositioning the visual identity for his website and label. Working with Mads is not only deeply gratifying, it is also a productive challenge, hugely inspiring, and a delightful pleasure.