About Hilma af Klint
April 22nd, 2019
Via Hilma af Klint Foundation: "The collection “Paintings for the Temple” encompasses 193 paintings, subdivided into several series and sub-groups. It is one of the very first pieces of abstract art in the Western world, as it predates with several years the first non-figurative compositions of her contemporaries in Europe. [...]
Hilma af Klint understood the uniqueness of her works. Working intensively with herself, and with her personal development, she wanted to understand the process in which she was taking part.
This aspect became the main quest all through her life: “What is the message that the paintings convey?”. She would actively seek the answer through philosophical studies, by taking part in various religious movements and by researching in their respective archives – all in vain. [...]
Hilma af Klint had a vision that her work would contribute to influence not only the consciousness of people in general, but in its extension also society itself. However, she was convinced that her contemporaries were not ready to perceive them. She had received strict orders from the “High Ones”, her spiritual leaders, not to show the paintings to anyone. Not even Rudolf Steiner could interpret Hilma af Klint’s paintings. At their first meeting in 1908, Rudolf Steiner consequently advised her to wait fifty years before exhibiting them. This is one of the reasons why Hilma af Klint never aimed at exhibiting her esoteric and abstract works during her lifetime. The works of art belonged to the future and would only then be understood by the public.
When Hilma af Klint passed away in the autumn of 1944, she left behind around 1300 non-figurative paintings that had never been shown to outsiders, and more than 125 notebooks and sketchbooks. In her will, Hilma af Klint specified that her life’s work should be kept secret for at least 20 years after her death. Her last wish was also that the collection should never be split up."