"Drawing is the least tiring thing there is."
September 29th, 2022
Via Macro - Museum of Contemporary Art of Rome: "After taking a degree in Philosophy, she worked with her father in various contexts: she assisted him in the making of the frescos at Palazzo del Bo in Padua (1940), played an active role on the editorial staff of the magazine Stile published by Garzanti (1941-1946), and was an editor-in-chief inside Domus (1940-1979), then specifically editing the magazine’s art coverage until 1986. [...]
Lisa Ponti began drawing while she was still working with Domus, but her first solo exhibition came only at age 70, in 1992, at the gallery of Franco Toselli in Milan. The child-like character of her imagery and her touch like sudden lightning fill sheets of paper in one format only: A4. 'Within the standard the minimum reduces immensity to distance between signs'
Like apparitions, the words and text graphically and ironically contribute, performing together with the rapid gesture that outlines the profile of cherub-like characters, figures of fantasy but also companions of hopes and turbulence. The duel between drawing and watercolours on the white page is enhanced by many other ways of narrating, thanks to the use of a range of materials and tools: newspaper pages and personal photographs with which to produce collages, markers and paintbrushes, cotton and wadding, stickers that dot or sketch forms on paper surfaces. For the artist, drawing is an intimate location, a moment in which to stake out and claim a private space of abandon. The A4 format is a limit to overcome through a mark that takes flight and compresses the dream or apparition into an instant."
From Lisa Ponti and Franco Toselli in conversation with Hans Ulrich Obrist:
"Hans Ulrich Obrist: Why should we be optimistic today in this world?'
Lisa Ponti: Because it’s not up to us! I’ve had a lot of surprises from the world, simply with optimism, without having made an effort. Making an effort is of no help at all; in fact it’s a bit depressing. Once you have found the right path, things then come along, one at a time, and so I took advantage. [...]
Hans Ulrich Obrist: What advice would you give to a young artist?
Lisa Ponto: Try all the paths, to try them all out! That’s the way to learn, by making mistakes! For example I learned from Sottsass about the color pink. In Milan, the custom is for rooms to be white, and then inside the rooms there are colorful objects and furniture. But from Sottsass, whom I visited a great deal because he collaborated on Domus, I learned the pink backdrop—the pink backdrop, with a few dashes of other colors. Sottsass came from Turin, which was outside this Milanese business according to which the house has to be a blank page punctuated with one, two, three, four, five objects. And so I painted my home in via Randaccio all pink! Even though pink was somewhat frowned upon then."
Thanks to Edda Charlie Eckardt!