Howl (2022) by Mel Bochner. Oil on velvet, 32 x 18 7/8 inches [81.3 x 47.9 cm], unique.

Arguments For God

Tier-list
February 16th, 2025

Read the My Favorite Argument for the Existence of God article by in The New York Times, stumbled across these lines, "But do I have a favorite argument within this larger run of converging claims? I was thinking about this while reading the effort by the prolific and precocious (he’s apparently still an undergraduate) essayist who writes under the name Bentham’s Bulldog to rank or grade a long list of arguments for God’s existence." and had to follow the link down the rabbit hole:

Via Bentham's Newsletter: "Tier lists on arguments for God are all the rage! Tier lists rank arguments for God on a scale from F to S, where F is the worst, S is the best, and the rest follow a traditional letter grade—A better than B, B better than C, and so on. [...]

Fine-tuning (S)

The fine-tuning argument is widely seen as the best argument for God. But crucially, there are actually three kinds of fine-tuning, and two of them dodge most of the standard objections (for more on the argument, see my very long post about it):

1. A priori fine-tuning: this kind isn’t about the specific laws. Instead, it’s about the more general point that most ways the world could be wouldn’t produce anything interesting. If the laws are very simple, then probably they’d just result in a basic pattern—too basic to produce anything. For instance, the ultimate laws could have just involved particles aimlessly bouncing around, or moving in a circle, or disappearing after a second, or moving in a line. If the laws aren’t simple, then they’d be almost guaranteed to produce random chaos. This kind of fine-tuning is probably the most convincing, and isn’t threatened by findings from physics.

2. Anthropic fine-tuning from physics: this kind proceeds from the striking observations that the constants of physics—the values that are plugged into the laws—fall into an incredibly narrow range needed to give rise to life. For example, if the cosmological constant weren’t in a tiny range, on the order of one part in 10^120 of its possible values, no life or complex structures of any sort would arise.

3. Fine-tuning for discoverability: this builds on work mostly from Robin Collins. What Collins argues is that some of the constants are precisely set in a way ideal for scientific discovery. For instance, he claims that the masses of many of the particles in particle physics happen to be an ideal quantity for us to measure them. This is expected if God set the constants in ways ideal for us to do science, but unexpected if they took their values by chance.

Taking into account all three kinds of fine-tuning, this argument is utterly devastating. Maybe an atheist can explain the second kind by a multiverse—though, as I’ve explored, a multiverse has various problems—but certainly they can’t use a multiverse to explain the first and third kind.

The problem for the atheist is that the improbability is so vast—it’s so wildly unlikely that we’d get a fine-tuned universe by chance—that they must, for their view to be plausible, have some explanation of fine-tuning. But the explanations of the first kind of fine-tuning just transfer the fine-tuning back a level—if the atheist invokes a multiverse, for instance, the multiverse itself is just a physical system that generates universes. But to generate the right kinds of universes—and universes at all, rather than producing nothing—it needs fine-tuning. Thus, even the multiverse just transfers things back a level.

While there are some mild ways to criticize the likelihood of fine-tuning on theism, the atheistic replies are not enough to overcome the vanishingly low probability of fine-tuning on theism. Atheism predicts a barren wasteland—the fact that isn’t what we observe strongly undermines it."

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The Party is Over by Charles Xelot.

End of 2024

December 31st, 2024
I am grateful for...

Aging My GP recommended Outlive by Peter Attia, saying it covers all the key recent research on healthy aging. I’ve studied it and now use it regularly—it’s an excellent resource.

Art My lovely and witty friend Sarah Szczesny has spent several months this year away on residencies. I missed her and decided to visit her at CCA Andratx. For the first time ever, I chose to buy a piece of art because it felt deeply important to have a part of her work in my home.

Concerts Felt so blessed to see many amazing concerts in 2024. My top three were: Nick Cave, for his depth, uplifting energy, and the breathtaking brilliance of the musicians; Mary Jane Leach, for her soulful performance on the St. Peter’s Church organ in Cologne, where she recorded this very piece in 1989; and Róisín Murphy, for her incredible style and fabulous leadership.

Book Couldn’t stop once I started reading All Four by Miranda July. It’s both highly entertaining and a precise observation of the journey and catharsis during the climacteric period. She masterfully captures all those manic feelings, thoughts, and sensations many of us experience. Thank you, Carina Mergens, for putting it into my hands!

Exhibition In the mid-80s, I had the great privilege of studying with Anna Oppermann (1940–1993) at the University of Wuppertal. She coined the term ensemble – process-based spatial collages that encompass both the installed work and the underlying method. This year, Susanne Kleine and Anna Schäffler curated an enormous, precise, and affectionate exhibition at the Bundeskunsthalle in Bonn. It was overwhelming and breathtaking.

Film Last and First Men is a science fiction film directed by composer Jóhann Jóhannsson based on the 1930 novel of the same name by Olaf Stapledon. The 16mm black-and-white film predominantly features memorial sculptures erected in the former Republic of Yugoslavia beautifully photographed by Sturla Brandth Grøvlen. The story is narrated by Tilda Swinton. This might sound boring, as it did to me, but it is mind-blowing. Do not miss it.

Nerdom Stanley Kubrick’s films feel like an almost infinite source of reference and thus inspiration to me. I deeply admire the complexity, effort, and time that went into creating them. Here is a shot-by-shot analysis of my favorite of his films, Eyes Wide Shut. I adore this website and it so proves my point.

Routine Paradoxically, I find my routines fundamental to my sense of freedom. One of them is my yoga practice. This year, I discovered the location of my basic trust—it seems to reside between my shoulder blades, where it supports and lifts my heart.

Party Went to the 40-year reunion of my class of 1984. Almost a lifetime ago. It was overwhelming to meet so many of my former schoolmates and to see pictures of us from the '80s projected on the walls. An intense, confusing, and extremly rewarding experience.

Past Just learned that my great-aunt, my favorite childhood relative, didn’t celebrate New Year’s Eve either. This year, I started reading the same books she used to read to me to an 8-year-old close to me. Memories resurfaced, and I spent time reflecting on the influence she had on me. She passed on when I was 12, and this year I realized that I never truly grieved. So I finally did.

Tool Learning to use my phone as a tool in my daily practice wasn’t easy. It taught me how to share; through sharing, I’ve found connection, and that connection makes me feel whole, being of integrity. One day at a time. Thanks to all the wonderful people I’ve talked to and listened to, cried with and laughed with—you know who you are.

So, here we are... And what is next?

 

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From the series They Cometh! paintings by Steve Seeley. The body of work is an homage the comic master Jack Kirby and his insane ability to capture and portray emotion thru simple line work and expression.

Super-recognisers

Can reliably detect AI-generated faces, while typical observers cannot
November 29th, 2024

Via PsyArXiv: "AI-generated faces have become virtually indistinguishable from real human faces. In this study, we demonstrate that super-recognisers—individuals with exceptional face recognition abilities—can reliably detect AI-generated faces, while typical observers cannot. Super-recognisers (N=36) and typical observers (N=89) were shown images of real and AI-generated faces and classified each as real or fake. Super-recognisers performed significantly above chance, with decision confidence positively correlated with accuracy, indicating metacognitive insight. In contrast, typical observers performed at chance level, with no insight into their accuracy. Aggregating responses using a wisdom-of-crowds approach improved super-recogniser accuracy substantially but did not affect typical observer accuracy. To understand the basis of super-recognisers’ enhanced sensitivity to real faces, we examined the facial cues used by each group. Super-recognisers and typical observers showed qualitative differences, with super-recognisers relying less on perceived familiarity and memorability—cues that have previously misled typical observers when assessing face authenticity. These findings suggest that understanding individual differences in face-processing ability may help mitigate risks associated with hyper-realistic AI faces."

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rand

“You maniacs, you blew it up!”

I tried to train my color vision

Neuroplasticity
November 6th, 2024

Via Sequencer Magazine: "We don’t understand color vision as well as you’d think from decades of academic study. We have classic theories of how red, green, blue, yellow, bright, and dark encode in the brain. […] 'That’s still the theory you get in textbooks. But it’s a very naive theory,' he said. 'There’s a whole mystery of how the brain really represents color.' […] In a pivotal study from 2009, their team at the University of Washington cured color blindness in monkeys […] Most color deficiencies come from anomalies in the cones, but one form called “dichromatism” is a genetic condition where one cone is entirely missing. The Neitzes treated dichromat monkeys with this categorically severe version of color blindness. And not only did they replace the missing type of cone with a first-of-its-kind gene therapy, they did this in adult monkeys, raising entirely new questions about sensory plasticity. I’m not getting this treatment anytime soon. The therapy is far from approval and, more importantly, I’m not so deficient that I want an eye injection that temporarily detaches the retina.

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rand

Kanreki

Cycles of sixty years: A celebration of re-born
August 8th, 2024

Via Wikipedia: "The traditional lunisolar calendars in the Sinosphere (Chinese calendar, Japanese calendar, Korean calendar) observe sexagenary cycles: cycles of sixty years. Thus, living sixty years had special significance as one completed a full cycle. Some saw it as the start of a second lifetime, and thus as an opportunity to give up some responsibility and return to enjoying life as children do."

Via Iromegane: "60th birthday is one of the biggest birthdays in Japan and is called Kanreki (還暦) in Japanese. This kanji, 還 (kan) means circulate and 暦 (reki) is a calendar and we can understand it as years. So kanreki literary means, your years completed a circle, in other word, you come back to the same year as when you were born.

Still puzzled? This comes from the way ancient Japanese people counted the years. They didn´t use the Gregorian calendar but the lunar calendar and each year was counted with 12 different animals, which is called Junishi (十二支) ; Ne (子/ mouse), Ushi (牛/ cow), Tora (寅/ tiger), U (卯/ rabbit), Tatsu (辰/ dragon), Mi (巳/ snake), Uma (馬/ horse), Hitsuji (未/ sheep), Saru (申/ monkey), Tori (酉/ chicken), Inu (戌/ dog), I (亥/ hog). This is still kept in the modern Japanese life. By the way, this year, 2015 is a year of sheep and the next year 2016 is a year of monkey.

Wait, if there are 12 animals, when it circulate completely, it only takes 12 years and you should be 12 but not 60. Mathematically incorrect. Each year is combined with one of Jikkan (十干), which indicate time and space and there are, Kinoe (甲), Kinoto (乙), Hinoe (丙), Hinoto (丁), Tuchinoe (戊), Tsuchinoto (己), Kanoe (庚), Kanoto (辛), Mizunoe (壬), Mizunoto (癸). For example, this year is a year of sheep and with jikkan, it´s Kinoto Hitsuji (乙未).

The combinations are 60 in total and that is why kanreki makes sense as one circle. As the person completes whole 60 combinations, the 60th birthday is also a celebration of re-born. The person will start a new circle of life."

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The Swimmer by Elisabeth McBrien: Study 3/4. Acrylic on Canvas. 9”x12”.

Consciousness makes sense

Keywords: Consciousness, Evolution, Amniotes, Feelings, Neurology, Nonconscious processing, Cognition
July 23rd, 2024

Via PsyArXiv Preprints: "In this paper, I try to add details and credence to a previously suggested, evolution-based model of consciousness. According to this model, the feature started to evolve in early amniotes (reptiles, birds, and mammals) some 320 million years ago. The reason was the introduction of feelings as a strategy for making behavioral decisions."

Thanks to my favorite blog the new shelton wet/dry!

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This fall, PST ART, presented by Getty Museum, will take over Southern California with over 70 exhibitions carrying the theme of science and technology. To inaugurate this event, Cai Guo-Qiang, known for his explosion events (pictured is Sky Ladder from 2015), will present a daytime firework event at the LA Coliseum, entitled WE ARE. Using organic, sustainable pigments and advanced AI, this will be the first choreographed drone formation equipped with pyrotechnics in US history.

What if absolutely everything is conscious?

More on panpsychism
July 13th, 2024

Via Vox: "The big problem for materialists is what contemporary philosopher David Chalmers dubbed the hard problem of consciousness. In a nutshell, the problem is this: You’re conscious. But if you’re just made of non-conscious matter, why and how exactly could consciousness arise from that? […]

Panpsychism lets you bypass the hard problem of consciousness altogether. That’s because the panpsychist starts out with the right ingredients. If you believe that consciousness resides, however minimally, in matter’s tiniest building blocks — atoms, electrons, quarks — then it’s much easier to explain how sophisticated forms of consciousness can eventually arise in, say, humans. This fits very well with the theory of evolution, which says that creatures gradually became more complex as they evolved. […]

In a landmark 2006 paper, Strawson took this idea and ran with it, making a radical argument: Materialism, he said, actually entails panpsychism. Consciousness is real. (We know that from our own experience.) Everything is physical. (There’s no evidence that immaterial stuff exists.) Therefore, consciousness is physical. There’s no radical emergence in nature. (We don’t get something from nothing.) Consciousness emerging from totally non-conscious stuff would be radical emergence. Therefore, all stuff must have some consciousness baked into it."

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rand

Heidegger, Martin: Identität und Differenz (1955–1957)

Absprung

Last and First Men  (2020) by Jóhann Jóhannsson
February 22nd, 2024

Via Wikipedia: "Icelandic composer Jóhann Jóhannsson directed and scored a multimedia Last and First Men, 'combining a film narrated by actress Tilda Swinton and accompanying score played by the BBC Philharmonic' at the 2017 Manchester International Festival. The 16mm black-and-white film is predominantly of memorial sculptures erected in the former Republic of Yugoslavia. Jóhann collaborated with José Enrique Macián on writing the narration adapted from Stapledon's novel. [...] In 2020, a film of this work was released as Jóhann's debut and final directorial work, with composer and sound artist Yair Elazar Glotman completing the work after Jóhann's death in February 2018."

Outstanding cinematography by Sturla Brandth Grøvlen.

Via The New York Times: "Based on the 1930 science fiction novel by Olaf Stapledon, the film mainly consists of 16-millimeter black-and-white images of abandoned monuments, identified in the credits as being in the Balkans. No humans appear. While the camera surveys the asymmetries of the monolithic sculptures, often pondering the sky through negative space in the stonework, Tilda Swinton delivers a voice-over that begins with an epic poem-style invocation ('listen patiently') and is framed as a dispatch from two billion years from now, when our descendants, bracing for extinction, share a telepathic hive mind and have appearances that would look grotesque to us."

Via Variety: "To the accompaniment of Swinton’s measured voiceover and Jóhannsson’s alternately shiver-soft and stormy score, Grøvlen’s camera slowly and gradually explores these vast, eerie forms of stone and concrete as if they were natural wonders, sometimes opening on peculiar, unidentifiable architectural details before revealing their looming place in the landscape. That no historical or even geographical context is given for these harsh, magnificent tableaux of indestructible human folly is somehow apt: Their meaning will inevitably be as lost and open to interpretation by future generations (or, in our narrator’s wording, 'species') as they are here. The crisp, hard lines and contrasts of Grøvlen’s monochrome compositions allude to the Spomeniks’ stubborn permanence: Perhaps they’re all the eighteenth species has left of ours, after however many intervening apocalypses.
That underlying theme of what we leave, of endurance in the face of the ephemeral, is hard not to consider in the light of Jóhannsson’s own 2018 passing. Intended or otherwise, Last and First Men finally stands as a brutally beautiful memorial to his own life and artistry, ready to be reinterpreted and appropriated by any audiences who stumble upon it in years to come. That makes it a severe work, but not a bleak one:
As it prompts consideration of how and when our species will end — see it as a tactful climate change warning if you will — it also invites wonder at our capacity to evolve and invent, and a kind of zen respect for the universe that, as Swinton’s unnervingly unfazed messenger gently reminds us, will outlive us all, even when our mightiest monuments tumble."

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Do[o]mestic Bliss series by Cristina Rizzi Guelfi inspired by Betty Friedan's book The Feminine Mystique.

End of 2023

My Gratitude List: 10 things
December 31st, 2023

Book Another role model on my path to become that dangerous, old women is larger-than-life artist Grace Jones. Her autobiography I'll Never Write My Memoirs, as told to Paul Morley, is breathtaking, surreal, and hilarious. A quote from Barbara Ellen's review for The Guardian, "Before she leaves, I ask her – what does she think helped her survive all those years in worlds that have chewed other people up? 'Again, it’s that thing of selling your soul – that would chew you up. I can’t be bought and people hate that. Everybody has their price – but not me.' "

Concert In September a friend took me to see Colombian multi-instrumentalist Lucrecia Dalt performing ¡Ay!’s contents, accompanied by the drummer/ percussionist Alex Lázaroin at Cologne's philharmonic as part of Tobias Thomas' wonderful Round series. I was blown away by the extroverted and humorous show.

Documentary Saw Saudi Runaway, directed and written by Susanne Regina Meures. The film shows a young woman in Saudi Arabia filming herself as she attempts to flee before her arranged wedding. A a suspenseful and courageous documentary. "Although the Kingdom of Saudi Arabia is at the centre of world affairs, very few authentic images of life there exist. Muna’s story is of great urgency and relevance and essentially summarises a human rights drama at its core."

Exhibition The Ludwig Forum Aachen presented Ya Estamos Aquí [We’re Here Already], the first survey exhibition of the Cuban artist Belkis Ayón (Havana, 1967-1999) in the German-speaking world. Curated by Eva Birkenstock and Annette Lagler. Material, themes, craftsmanship, intensity, and the sublime presentation were jaw-droppingly exciting. Thank you, Sarah Sczcesny for making me go!

Film SUM is a transdisciplinary performance art project by Kelvin Kilonzo and Pablo Gīw. This year they worked with filmmaker Maurits Boettger on Dyschronia, a stunningly beautiful video questioning the notions of movement in a post-apocalyptic scenery. I had the great honour to work with Kelvin and Pablo as they prepared to premiere Dyschronia at Julia Stoschek Foundation in Berlin.

Health This year saw me reading quite some books on women's health pre, during, and post menopause. I could not believe that most of the information is not available to every women entering her forth decade. Ladies, it is ultra important to get yourself educated on this topic, and all the wonderful options you have. A good place to start is here and here [in German].

Record My favorite this year was without a doubt Róisín Murphy's album Hit Parade produced by DJ Koze. The track I still hear in a continuous loop is Free Will, and I wholeheartedly recommend to read some Alan Watts with it. Can't wait to see her perform in my hometown in March.

Talk Went to see Thomas Metzinger at phil.Cologne, was surprised about his unexpected handsomeness, and received a reminder on Immanuel Kant's Innere Redlichkeit [intellectual honesty]. Being honest with myself is necessary for me in order to stay sane and healthy. If interested you might also want to consider this 2017 essay by Thomas Metzinger.

TV Series Food might be the single most time-consuming subject of my life, in almost every way – good and bad. I wasn't sure if I really wanted to watch The Bear. But the reviews were all in favor of it, "Flawless performances, boundlessly beautiful direction and a spare, allusive script, all of which are as good in the quietest moments as the more plentiful loud ones, turn the story into something properly special." (The Guardian). I so loved both seasons.

VMD23 Colleague and friend Christian Schäfer invited Vicky Wehrmeister to perform at IMM's annual Visual Music Day. Her performance, her humble but powerful posture, singing with this incredible lightness, kindness, and inscrutability got really under my skin. We are so honored and pleased that she is now part of our fabulous faculty for the post-graduate Klang und Realität program at IMM.

So, here we are... And what is next?

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One of the first color images of Earth, a digital image mosaic taken in 1967 by the ATS-3 satellite, was used as the cover image of Whole Earth Catalog's first edition.

Whole Earth Index

A nearly-complete archive of Whole Earth publications
October 18th, 2023

Via Whole Earth Index: "Here lies a nearly-complete archive of Whole Earth publications, a series of journals and magazines descended from the Whole Earth Catalog, published by Stewart Brand and the POINT Foundation between 1970 and 2002. They are made available here for scholarship, education, and research purposes."

Thanks to the New Shelton wet/dry!

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