Scenes from the Quarantrain by Jim Merullo.

What the heck happened in 2012?

On the year the modern world was invented
August 25th, 2023

Via The Intrinsic Perspective: "The point to all this is just to make explicit what I think so many already know and feel: if we were forced to pinpoint a year, 2012 appears to be a good choice for when the modern world was invented, and we’ve been living in it now for a little over a decade.

And to go back to the decade theory: certainly it’s arguable that, ten years into existence, our world feels, at least in terms of vibes, very similar to the world at the end of the previous cultural revolution of the 1960s. Even just politically, while the cultural revolution of 2012 grained a great deal of ground in institutions, it has spent much of its initial momentum, and is being combated institutionally by, e.g., the Supreme Court’s recent decision to ban affirmative action. A fundamental detente has been reached. The cultural revolution that people now call “wokeness,” and the debates around it are still ever-present, but also feel somewhat spent.

The degree to which this is true can be judged by one cultural artifact in particular: Barbie. The movie. For yes, the biggest movie of the summer is about patriarchy, and its openly political plot and language and messaging would have contained a lot of academic gobbledegook for the average citizen in 2011. But, at the same time, the movie is a clear commercialization about a toy, and can be interpreted ambiguously, parodying itself; ripe for interpretation, it has been championed by liberals and conservatives alike. See how, for instance, that even within that most conservative institution, The Daily Wire, there is disagreement on whether Barbie is actually a left-leaning movie (as Ben Shapiro believes) or, secretly, a subversively right-leaning movie (as Michael Knowles believes). The confusion over the messaging of Barbie is a synecdoche for the confusion over our own post-revolution world, which now looks corrupt and run-down, much like the depressive “malaise” of the 1970s. [...]

Surely, things must be more complicated than these decade theories, no? Of course. Obviously so. As a level of analysis they are nearly mystical. But if you had used this model of [cultural revolution → inflationary period→ lasting economic and cultural malaise] back 2012 I think you’d have a claim to near-Nostradamus levels of precognition. And that third stage would predict, much like the post-1971 world, a coming permanent change in long-standing economic trends (followed, potentially, in the 2030s with the return of Big Hair, leg warmers, and cocaine).

If we are to spend the 2020s mirroring the 1970s, and therefore occupied with domestic turmoil as the post-revolution cultural tremors play out, I suppose we might as well begin to ape it as much as possible."

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From the Still Austin Seasonal Bottled in Bond Series by Marc Burckhardt.

3 ways

AI is transforming music
July 31st, 2023

Via The Conversation: "Here are three ways AI is changing the way music gets made – each of which could threaten human musicians in various ways:

1. Song composition
Many programs can already generate music with a simple prompt from the user, such as Electronic Dance with a Warehouse Groove.
Fully generative apps train AI models on extensive databases of existing music. This enables them to learn musical structures, harmonies, melodies, rhythms, dynamics, timbres and form, and generate new content that stylistically matches the material in the database.
There are many examples of these kinds of apps. But the most successful ones, like Boomy, allow nonmusicians to generate music and then post the AI-generated results on Spotify to earn money. Spotify recently removed many of these Boomy-generated tracks, claiming that this would protect human artists’ rights and royalties.
The two companies quickly came to an agreement that allowed Boomy to re-upload the tracks. But the algorithms powering these apps still have a troubling ability to infringe upon existing copyright, which might go unnoticed to most users. After all, basing new music on a data set of existing music is bound to cause noticeable similarities between the music in the data set and the generated content.
Furthermore, streaming services like Spotify and Amazon Music are naturally incentivized to develop their own AI music-generation technology. Spotify, for instance, pays 70% of the revenue of each stream to the artist who created it. If the company could generate that music with its own algorithms, it could cut human artists out of the equation altogether.
Over time, this could mean more money for giant streaming services, less money for musicians – and a less human approach to making music.

2. Mixing and mastering
Machine-learning-enabled apps that help musicians balance all of the instruments and clean up the audio in a song – what’s known as mixing and mastering – are valuable tools for those who lack the experience, skill or resources to pull off professional-sounding tracks.
Over the past decade, AI’s integration into music production has revolutionized how music is mixed and mastered. AI-driven apps like Landr, Cryo Mix and iZotope’s Neutron can automatically analyze tracks, balance audio levels and remove noise.
These technologies streamline the production process, allowing musicians and producers to focus on the creative aspects of their work and leave some of the technical drudgery to AI.
While these apps undoubtedly take some work away from professional mixers and producers, they also allow professionals to quickly complete less lucrative jobs, such as mixing or mastering for a local band, and focus on high-paying commissions that require more finesse. These apps also allow musicians to produce more professional-sounding work without involving an audio engineer they can’t afford.

3. Instrumental and vocal reproduction
Using tone transfer algorithms via apps like Mawf, musicians can transform the sound of one instrument into another.
Thai musician and engineer Yaboi Hanoi’s song Enter Demons & Gods, which won the third international AI Song Contest in 2022, was unique in that it was influenced not only by Thai mythology, but also by the sounds of native Thai musical instruments, which have a non-Western system of intonation. One of the most technically exciting aspects of Yaboi Hanoi’s entry was the reproduction of a traditional Thai woodwind instrument – the pi nai – which was resynthesized to perform the track.
A variant of this technology lies at the core of the Vocaloid voice synthesis software, which allows users to produce convincingly human vocal tracks with swappable voices.
Unsavory applications of this technique are popping up outside of the musical realm. For example, AI voice swapping has been used to scam people out of money.
But musicians and producers can already use it to realistically reproduce the sound of any instrument or voice imaginable. The downside, of course, is that this technology can rob instrumentalists of the opportunity to perform on a recorded track."

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rand

E8 to H4 Folding Amplituhedron Surface Visualization by http://theoryofeverything.org

Amplituhedron

Convergence of Science and Spirituality?
April 15th, 2023

Via Pacific Standard: "New research, which turns out to not really be all that new, suggests that space and time do not exist. The research also suggests that a jewel (an amplituhedron) is the center of our universe and that from said jewel every feature of our known reality can be quantified."

Via Rupert Spira: "In the latest Rupert Spira Podcast episode Simon Mundie moderates a fascinating discussion on science and spirituality with Rupert and cognitive scientist Donald Hoffman. [...]

0:00 The Case Against Reality
3:00 The Hard Problem Of Consciousness
9:52 Why Are Most Scientists Materialists?
12:54 Who Is Qualified To Make Observations About The Nature Of Reality?
15:29 The Hard Problem Of Matter
20:33 No-One Has Ever Found Matter
25:10 Space-Time Is Doomed
32:48 Quantum Theory Is Not Fundamental Either
34:03 Why Is The Fact That Space-Time Is Doomed Not On The News?
40:57 The Real Meaning Of The Word Illusion
47:40 Exploring Other Dimensions
57:14 What Are Conscious Agents?
1:04:06 One Consciousness
1:07:32 Infinite Infinities
1:12:19 Why Does The One Localise?
1:15:46 Could There Be A ‘why’ On The Relative Level?
1:23:48 Interface Theory
1:36:05 A Theory Of Everything
1:41:06 A Convergence Of Science And Spirituality
1:49:46 The Implications Of The Perennial Philosophy
1:55:51 Let Go Of Thought
2:01:08 Seeing Through The Illusion Of The Separate Self
2:10:08 Thoughts, Fears And Beliefs
2:14:46 Walking The Talk"

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"Ja ja ja ja ja, nee nee nee nee nee" by Joseph Beuys. Printed cover with integrated booklet, 1970.

The Authentic Self is the Self-Enhancing Self

"The true self, though, is positive."
April 12th, 2023

Via SAGE Publishing: "Authenticity refers to behaving in a manner that aligns with one’s true self. The true self, though, is positive. From a self-enhancement standpoint, people exaggerate their strengths and overlook their shortcomings, forming positively-distorted views of themselves. We propose a self-enhancement framework of authenticity, advocating a reciprocal relation between the two constructs. Trait self-enhancement was associated with higher trait authenticity (Study 1), and day-to-day fluctuations in self-enhancement predicted corresponding variations in state authenticity (Study 2). Furthermore, manipulating self-enhancement elevated state authenticity (Studies 3–4), which was associated with meaning in life (Study 4), and manipulating authenticity augmented self-enhancement, which was associated with meaning in life and thriving (Study 5). The authentic self is largely the self-enhancing self. [...]

Although our research represents the first direct test of the relation between self-enhancement and authenticity, the results are consistent with several literature streams. For instance, authenticity is linked more with moral than immoral behavior (Newman et al., 2014) and socially desirable than undesirable behavior (Jongman-Sereno & Leary, 2016). In addition, people believe their authentic selves to be positive and morally good and to be more positive than the authentic selves of others (Zhang & Alicke, 2021). Despite popular belief and previous conceptualizations, self-enhancement is an essential ingredient for eliciting perceptions that one is living life authentically. [...]

Coda
Contrary to historical conceptualizations and lay intuition, veridical self-insight may not light the path toward living life authentically. Instead, authenticity and self-enhancement go hand-in-hand. Authentic people think highly of themselves, and people who think highly of themselves feel authentic."

Listen to 1968: Ja ja ja ja ja, nee nee nee nee nee, Staatliche Kunstakademie Düsseldorf (14.12.) by Joseph Beuys!

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I see dead people.

Now you can relive memories in VR
February 25th, 2023

From Creative Bloq: "With the release of PSVR 2, virtual reality is back in the headlines and app developers are using the new hardware, including Meta Quest 2, to find creative ways to usher in new experiences. But in this rekindled experimentation some ideas are just, well, a little creepy.

The app in question is Wist: Immersive Memories, in development for iOS and Meta Quest 2, and soon on Meta Quest Pro. This app brings old video to life inside a virtual reality headset. There's a buzz around the app, largely because virtual reality is all the rage again in 2023 due to the launch of PSVR 2 – read my PSVR 2 review to find out why everyone loves this headset. Also, rumours continue around a new Apple VR headset, which could really be something special.

Developed by Wist Labs, Wist: Immersive Memories is pitched as a way to relive old 'memories' inside VR and AR. This is the kind of thing we've seen in movies for decades, including the scene in Minority Report were Tom Cruise remembers is deceased wife and child, and now you can actually experience it for yourself. But is it unsettling?"

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Levon Biss: "I had the pleasure of shooting this image at the Oxford University Museum of Natural History recently, one of my favourite museums by far. My thanks goes to Robert Douglas for his assistance in creating this picture.⁠"

Values

My pyramid
January 6th, 2023

Humor
Optimism – Honesty – Intuition
Emotionality – Serenity – Music – Love – Freedom – Faith.

Take another step toward what matters.

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Public Projects by Michael Pederson.

End of 2022

To the power of ten
December 31st, 2022

Auld Lang Syne As I write this, New Year's is only a few hours away. Two days ago legend Vivienne Westwood passed on. Unfortunately, it remains a challenge to find older female role models for my process to become a female 'senior', as in beautiful, crazy, sexy Wise Old Woman. Westwood embodied everthing I hope for in aging, and beyond. What an incredible beautiful soul. Two other heroines of mine are Laurie Anderson and bell hooks – the list keeps growing faster every year. Let's do this, girls.

Films My favorite viewings this year were, 2021 drama film Drive my car directed by Ryusuke Hamaguchi, George Miller's fantasy romantic drama film Three Thousand Years of Longing, Werner Herzog's 1998 documentary Wings Of Hope, and Regina Schilling's documentary Igor Levit - No Fear. Thank you, fabulous editor and friend, Carina Mergens for bringing the big screen back into my life!

Nest Finally moved to a new apartment. Have been sharing my home for the last 16 years. It was an adventure as long as it lasted, and now I am so happy, joyous, and free with a nest all to myself where I can experience my love for wallpaper to full extend.

Rapport Not entirely sure but I think I got my first answering machine in 1986. From then on I used my phones less to talk, instead I got accustomed to recorded messages. In 1995 I started to write emails, and called even less. I have now reversed this development, and much to my own surprise I make at least one telephone call a day to check in with friends. My live has improved considerably by connecting to fellow travellers.

Studio In July I officially opened our new Studio Klang und Realität, built to serve the students in our master's degree program of the same name. With its specialized, high-quality recording studio technology, the studio offers an acoustically optimized and at the same time inspiring workspace. So grateful for the support from my colleagues Julian Rohrhuber, Marcus Schmickler, and Phillip Schulze in designing this studio with me.

Summer We had what is called a Jahrhundersommer. So I got to spent many days at a secret little beach on the short, super clean and pretty cold river Agger close to where I live. Sweet, sweet summer days. Sun, water, trees, fishes, dogs, horses, trees, flowers, and finally time to read.

Time Travel My parents took a day off to show me my father's childhood places in the former German Democratic Republic. My father told many stories from more than half a century ago. Too many to remember but I now have a much better idea and feeling for where he came from.

Travel I was super sad when my youngest friend left for a year to live with her parents at the infamous Villa Massimo in Rome. Got to visit her twice this year. We had long walks and deep conversations in the morning and afternoon to and from her kindergarten. Precious.

TV Invited my godson to see ZDF Magazin Royale, a successful German late night program by satirist, journalist, and TV host Jan Böhmermann, live. The show's TV band Rundfunk-Tanzorchester Ehrenfeld is lead by one of my former students, the ultra talented and charming Lorenz Rhode. I was impressed by his courtesy and modesty, and of course by the powerful sound of his band.

Quote Experienced a couple of unpleasant moments at work in 2022. After an especially crass meeting I had an one-on-one online session with a student who wore a cap with TRUST written on it – in uppercase letters. I will not forget the surprise and comfort it gave me.

So, here we are... And what is next?

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Cultural Mashups by Todd Alcott.

Feedback needed

Underestimating others' desire for constructive feedback
December 27th, 2022

Via National Library of Medicine: "People sometimes avoid giving feedback to others even when it would help fix others' problems. For example, only 2.6% of individuals in a pilot field study provided feedback to a survey administrator who had food or lipstick on their face. Five experiments (N = 1,984) identify a possible reason for the lack of feedback: People underestimate how much others want to receive constructive feedback. [...]

While we found evidence that people consider both types of consequences, people particularly underestimated how much receivers value their feedback, a mechanism not extensively tested in prior research. Specifically, in Experiment 4, two interventions-making feedback-givers consider receivers' perspectives (enhancing consideration of receivers' consequences) or imagine someone else providing feedback (reducing consideration of givers' consequences)-both improved givers' recognition of others' desire for feedback compared to no intervention, but the perspective-taking intervention was most effective.

Finally, Experiment 5 demonstrates the underestimation during a financially incentivized public-speaking contest and shows that giving less constructive feedback resulted in less improvement in feedback-receivers' performances.

Overall, people consistently underestimate others' desire for feedback, with potentially negative consequences for feedback-receivers' outcomes.

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Occlusion Grotesque is an experimental typeface that is carved into the bark of a tree.

Intuition

When is it right to trust your gut instincts?
August 23rd, 2022

Via BBC: "Vincent emphasises that people’s gut instincts should not replace analytical thought, and we should be aware of the fact that they can sometimes be swayed by unconscious biases. (If there is a chance that racism, ageism or sexism is clouding your judgement, you might be especially wary of what your gut is telling you.) In general, however, his research confirms that an expert’s intuitive feelings can be important sources of information and should play some role in the decision-making process." [...]

"While some studies have suggested we can go with our first impression immediately, there often does seem to be an advantage in delaying the decision as we focus on some other activity. According to Marlène Abadie, a cognitive psychologist at Aix-Marseille University in Southern France, the pause allows the unconscious mind to form an accurate gist from the complex information that had been presented, which will in turn increase the accuracy of our intuitive judgement." [...]

"According to the latest research, the quality of someone’s gut instincts may depend on their overall emotional intelligence (EI). And by learning to increase our EI, we may therefore strengthen our intuitive decision-making." [...]

"If you want to fine-tune your intuition, then, you might first try to get in touch with your emotions more generally – carefully interrogating what exactly you are feeling and the sources of that mood. Over time, you may find it easier discern when you are receiving a genuine and accurate signal. Your gut feelings will never be completely fool proof, but with practice they can become an important guide."

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Auditorium, Capitol cinema, Berlin 1926 by Albert Vennemann (1885-1965), Gelatin silver print© Staatliche Museen zu Berlin, Kunstbibliothek

The Beauty of the World

Quote by Tennessee Williams
July 10th, 2022

Via James Grissom's blog: "It is the pursuit of beauty in things and people that is the journey… the real journey. I was happiest when I sought beauty in words and music and images. I was happiest in movies or in the middle of a symphony… whatever allowed the mind to ponder all that was possible and glorious. The world, I suppose, is the result of actions taken by people possessed of an image or an idea, and the world I care most about is constructed from those images that reminded someone of the beauty and the nobility of people… I'm back on the job of looking for this beauty, and nothing is safe from my eyes and my ears. I want to find and host the beauty of the world."

Interview with Tennessee Williams conducted by James Grissom in 1982

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